Native Instruments

2003/05/08 update

Instrument

Class

OS

Cost

Format

Version

Spec

Absynth

Modular Synth PC

Mac

 $299 VST

DX

Stand
Alone

1.3.2

1.2.3

  • Semi-modular synthesizer combining multiple synthesis techniques
  • 6 oscillators, 4 filters, 3 ring modulators, waveshaper and delay processor per voice
  • Freely drawable waveforms for oscillators, LFOs and waveshaping
  • Many graphical envelopes with up to 68 breakpoints each
  • 8 part multitimbral (CPU Dependant)
  • Intuitive and convenient graphical editors, attractive design
  • Extensive sound library
  • Runs stand-alone and as a plug-in
B4

Organ PC

Mac

$199  VST

DX

1.11
  • 91 tonewheels
  • 9 drawbars per manual
  • 2 manuals and pedal keyboard
  • Scanner vibrato/chorus
  • Percussion on any harmonic
  • Keyclick (adjustable)
  • Tube distortion sound
  • Rotary speaker
  • Many parameters for fine tuning the sound
  • Standalone capability
  • Audio input when used as an effects plug-in or standalone
Battery

Sampler PC

Mac

$199  VST

DX

1.014

1.01

  • Sampler designed for drum sounds, but also good for pitched sounds
  • Internal 32-bit resolution and sample-accurate timing
  • Reads samples in the formats AKAI S-1000, SF2, REAKTOR Map, LM4, AIFF and WAV, from 8 to 32 bits
  • More than 20 high-quality soundsets included
  • 54 instruments, each with 128 velocity layers, tuning, volume envelope, pitch envelope, bit reduction, shaper and FX Loop for innovative effects
  • Six modulation inputs per instrument with many drum-oriented presets
  • Real-time wave display
  • Runs stand-alone with MME, Direct Sound, Sound Manager, MAS, DirectConnect and ASIO or as a VST 2-Plugin
  • Dynamic resource allocation for optimal performance
  • Can be played and modulated via MIDI, with complete VST automation
Dynamo

Synth PC

Mac

$199 VST

DX

1.03

  • 32Bit Real-time Synthesis
  • Adjustable internal processing speed from 22.05 kHz to 132.3 kHz
  • Freely connectable signal processing structures
  • Freely connectable signal processing structures
  • Maximum number of instruments: 16
  • Maximum number of voices per instrument: 64
  • 128 snapshots per instrument
  • Full MIDI control (In/Out) of all panel elements
  • Audio-Recording and WAV (PC) / AIFF (MAC) file Export
  • Synthesis: Analogue Modelling, Waveshaping, FM, Waveset, & Granular Synthesis, Sampling
  • Imports WAV and AIFF (PC and Mac) as well as SoundDesigner II (Mac)
  • Premium Library included (25 Reaktor synth/sampler/FX ensembles)
FM7

FM Synth PC

Mac

$299 VST

DX

Stand
Alone

1.1

 

  • FM synthesizer with extended sound architecture
  • Reads and faithfully reproduces sound programs of the FM classics
  • Full matrix frequency modulation with 8 operators, no fixed algorithms
  • 6 operators with many waveforms plus distortion and analog filter operator
  • Sophisticated graphical editors with many convenient edit functions
  • Flexible graphical envelopes with unlimited number of stages and looping
  • Stereo effects section with chorus, flanger delay, can be used for external audio signals
  • Runs either as stand-alone or as a plug-in
  • Optimized for Pentium III and G4 processors
Kontakt

Sampler PC

Mac

$399

VST

DX

Stand
Alone

1.02

X

  • Realtime time-stretching and resynthesis
  • Graphical breakpoint envelopes
  • Integrated loop editor
  • Integrated file-browser supporting drag and drop
  • Analog-modelled filters (14 varieties from analog lowpass and highpass to exotic sound-design filters)
  • Visually displayed modulation
  • A broad range of insert and send effects, including EQs, waveshapers, delays, and reverbs
  • 32 Outputs
  • 256 stereo voices
  • Filters, effects, and modulations can easily be added with one click. If an audio-process is not active, it is neither displayed on the screen nor calculated by the CPU.
  • Unlike a conventional sampler, where pitch and length are always linked, KONTAKT痴 integrated granular resynthesis engine frees you to compose with pitch and timestretch independently.
  • KONTAKT can play back each sample in one of three modes: classic mode, Time Machine mode, and Tone Machine mode. The Time Machine allows real-time manipulation of length, pitch, and formant. The Tone Machines imprints a playable pitch onto the sample and maintains the same length across the keyboard.
  • Nearly all of KONTAKT痴 parameters can be dynamically modulated by LFOs, breakpoint envelopes, step-sequencers, or via MIDI velocity or controller
  • 3GB Sound library
  • Supports - Battery, AKAI S1000/S3000, SF2, Reaktor Map, LM-4, AIFF, WAV (8 - 32 bits)
Pro-52

Synth PC

Mac

$199 

VST

DX

Stand
Alone

2.5
  • 2 oscillators per voice
  • Choice of pulse, triangle and saw-tooth waveforms
  • Oscillator detune and synchronization
  • 24dB low-pass filter with resonance and self oscillation
  • ADSR envelopes for amplitude and filter
  • Low Frequency Oscillator with numerous modulation options
  • Theoretically unlimited number of voices (depending on CPU power)
  • 512 freely programmable preset memories
  • 512 selected classic analog sounds preprogrammed
  • 64 new up-to-date sounds by vintage-synth legend John Bowen
  • Velocity sensitivity (optional)
  • Real-time MIDI control and automation of all parameters
  • Two operating modes: analog warmth or digital accuracy
  • Amount of analog inaccuracies freely adjustable
  • Effects unit for chorus, flanging and echo, MIDI-syncable
  • Input for external audio signals
  • Fully compatible to Prophet・5 MIDI-SysEx program data
  • Stand-alone operation with ASIO, Sound Manager, MME or DirectSound
Reaktor

Modular Synth PC

Mac

 $499

VST

DX

Stand
Alone

3.05

3.06

  • 32Bit Real-time Synthesis
  • Adjustable internal processing speed from 22.05 kHz to 132.3 kHz
  • Freely connectable signal processing structures
  • Freely connectable signal processing structures
  • Maximum number of instruments: 16
  • Maximum number of voices per instrument: 64
  • 128 snapshots per instrument
  • Full MIDI control (In/Out) of all panel elements
  • Audio-Recording and WAV (PC) / AIFF (MAC) file Export
  • Synthesis: Analogue Modelling, Waveshaping, FM, Waveset, & Granular Synthesis, Sampling
  • Imports WAV and AIFF (PC and Mac) as well as SoundDesigner II (Mac)
  • Premium Library included (25 Reaktor synth, sampler, & FX ensembles)
  • Reaktor library - 300 instruments and FX
  • Complex modular synth, users can build their own synths, samplers, drum machines, FX. etc. using the included modules, macros, instruments, etc.
Reaktor Session

Synth PC

Mac

$349 VST

DX

Stand
Alone

 
  • Reaktor Session is a Reaktor Ensemble Player.
  • Design an individual studio environment from pre-built instruments
  • Multiple instruments can easily be connected together in the streamlined structure editor.
  • Sequencers, synthesizers, samplers, and effects can be mixed.
  • Instrument/sample browser
  • Uses the highly-optimized DSP algorithms of the 32-bit REAKTOR engine with up to 192 khz sample rate support
  • All user interface objects can be fully controlled over MIDI with the built-in MIDI learn function.
  • The REAKTOR SESSION library offers a world-renowned collection of synthesizers from analog-modelling to FM, from wavetable to additive.
  • The sampler and transformer machines included in REAKTOR SESSION enable everything from quick and convenient sampling to a full granular workout.
  • Many instruments in the REAKTOR SESSION library combine synthesis and sampling with sequencing for a variety of sequenced synths, beat boxes, and loop manipulators.
  • REAKTOR SESSION can also be used as an extremely flexible effects processor. You can process sounds in VST or DXi from the audio inputs, or from the internal instruments. The effect library covers a full range of delay, reverb and modulation effects, filters, distortions, and dynamics processors, panning and surround effects, and granular pitch and vocoder effects. All effects can be combined for the creation of completely new realtime processing chains.
  • A comprehensive selection of mixers and routers allow you to mix the input signals and instruments together, and to combine insert and send effects into the signal flow.
             
         

 


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